July 23, 2010
This post is the third and final in a three part mini-series on digital dérive.
In the first post I presented one example of an earlier digital dérive project I did while in Savannah Georgia. In the second post I wrote briefly about what a dérive is or might be. This is the first post annotated in green, so you can get a sense of what I was thinking while dérive-ing.
In February I was attending a conference in Savannah, Georgia. I had one day off to explore the city and since I hadn’t rented a car and the city is pretty walkable, I decided to do it on foot. I took my phone with me, and fired up the Twitter client, taking comfort in that virtual place my friends always are, no matter where they are. And for me, reading twitter means writing on twitter – so I thought I’d share my walk…
Sun Feb 07 16:39:27 +0000 2010
Remember, alligators cannot be tamed!
Immediately outside on my hotel balcony was this sign. The hotel has a strange tone. A typical generic hotel, but built for the athletes during the 1996 Summer Olympics, it is (like other post-Olympic sites) grander than it now needs to be. It actually feels a bit like Detroit: more infrastructure than is necessary for the population, a situation ripe for ghosts. This sign implies crowds of picnic goers (or at least people with food) and alligators. There are neither, just a large empty balcony with abandoned deck chairs, water lapping at the pylons. But as for ghosts…
Sun Feb 07 16:46:48 +0000 2010
.@anindita Speaking of teeth, Savannah also has a monument to the 1837 werewolf insurrection.
… Savannah obliges in spades. It is perhaps a little silly to put it in writing, but there is something “Southern Gothic” about this antebellum city. It feels like a city with secrets, languid and vaguely menacing at the same time. Echos of Europe, common in the Northeast where I grew up, seem oddly out of place here but wholly of-the-place at the same time. It’s a not entirely unpleasant but very uncanny feeling of tension. As a tourist visiting for a short time, I could only bounce across the surface but decided that the best translation of this mix of emotions was a story. I would tell a story, the one unfolding in my head on this walk. A spontaneous dérive that began with this one-off tweet above…
Sun Feb 07 17:11:05 +0000 2010
The gryphons briefly sided w/werewolves. In retaliation the city converted this statue into a fountain.
…again the city obliges my request for a werewolf story with mythical creatures everywhere. This is the wonderful thing about derives, the context is entirely in your own head, but shifts you to a different place, a different history, the fact that it’s a fiction is irrelevant, it’s as real as whatever the “real” story is.
Sun Feb 07 17:13:55 +0000 2010
The swordfish however were given a shrine at a surprisingly delicious sushi restaurant.
…lunch obliged again with this giant stuffed swordfish.
It also turned out that it was “Super Museum Sunday” in Savannah, a day (the Super Bowl) when the museums are entirely free city wide. I had wanted to see at least one of the historical houses and instead got to see abbreviated tours of a number of them. Photographs are not allowed, which doesn’t normally stop me, but the pace of the tours (a bit brisk due to the crowds) made it impossible to get anything useful. Still the tours were providing me with wonderful support for my mind now attuned to signs of the cryptozoological battles of yesteryear…
Sun Feb 07 19:17:49 +0000 2010
Walls of the Owens Thomas house 18-24in thick, keeping the interior largely intact during mythical creature wars. Note crack in amberglass.
Both true facts – go see for yourself. The walls are thick to keep out the heat, which I imagine is as deadly a beast as a werewolf might be. The dining room of this particular house has a pane of amber colored glass above the fireplace that is cracked. I liked the idea of this stately house (built in the Regency style, but at an oddly small scale) surviving an onslaught. And how DID that window (10ft or more off the ground) crack?
I couldn’t figure out a way to make it into the derive, but one of the weirdest experiences as a northerner touring these houses is the way they deal with slavery. Almost every house tour I was on mentioned slavery head-on, but in most houses the slave quarters were closed, off limits or not part of the tour. At the Ownes Thomas house they are an optional walkthrough (IE now that the tour is over, feel free to check out the gardens… and the slave quarters). On one hand this feels like omission, on another it is the most honest approach: slaves were treated like slaves, their histories were not kept, their possessions not archived, their quarters (let’s say it: the maintenance barn) is empty. The walkthrough is a hollow building with some handmade placards that feel like some recent well-meaning organization (other than that which maintains the house) put together to be “more inclusive.” This is the “skip-able” part of the tour, encyclopedic signs in a context devoid of context. But then how do you tour an absence? Absent histories. Occult histories. Untold stories. An entire parallel universe in those echoing slave quarters.
Sun Feb 07 19:19:08 +0000 2010
The Davenport house features elaborate handpainted faux finish and wallpapers to deter creatures. Green paint in dining rm drives off bugs.
The Davenport house was built by a Northerner who specialized in the most ridiculous faux-finishes. The wallpaper in the entry looks like brick, but not like brick, more like a 1970s op-art version of brick that made me nauseous. We mix in here another true fact – the dining room is painted green. Summer in Georgia is bug season and apparently green paint deters flies.
Sun Feb 07 19:20:26 +0000 2010
But it was likely the gun by the door that kept the wolves at bay. #impromptuSavannahDerive
Davenport was part of the volunteer fire department and a rifle was kept ready by the door for signaling… or so the tourguide says. The rifle is still there, leaned in the corner like an umbrella.
Sun Feb 07 19:42:25 +0000 2010
Draping themselves in moss, some attempted in infiltrate the were camps. The outcome was rarely positive
No Southern-gothic tale is complete without a shot of moss. Here’s the thing: a staple of Hollywood, the moss still exudes a kind of creepy camouflage as if even the trees are wearing ghillie suits, hiding their true selves. These were in a graveyard, filled with victims of yellow fever. I broke the dérive and tweeted a few more thoughts and images of just the cemetary.
Sun Feb 07 20:08:36 +0000 2010
Andrew Low preferred feet of his furniture carved into the shape of a beehive rather than the paw motif.
Yet another house and another strange experience for a Northerner: polite society’s pride in the Confederacy. A lovely older woman told me three times that this house has a table where General Lee himself dined no less than three times. The Andrew Low House is better known as the birthplace of Juliette Gordon Low, founder of the Girl Scouts of America. On this tour I am accidentally attached to a group of young Girl Scouts and their three minders. I feel creepy standing in the back surreptitiously typing notes into my phone, but only because of the occasional hairy eyeball I get from one of the Scout Leaders. I’m not sure if it’s my shoes or my fangs.
Also another fact: the style at the time was ball-and-claw furniture, but Andrew Low custom ordered his furniture with beehives instead. Why else but an aversion to paws? This is one of the concerned lions that flanks his entryway.
Sun Feb 07 20:22:10 +0000 2010
Today only the alligators remember the rest, but despite the lemonade, they’re not talking.
Apropos of nothing but the dérive in my own head. A quantity of sliced lemons strewn across the ground. I decide to call it an offering.
Sun Feb 07 20:25:40 +0000 2010
Back to hotel for a run. Thank you Savannah for your inspiring awesome gothic-ness. #deriveEsFin
I felt like thanking the city and telling my “listeners,” that I was done, so I did…
Sun Feb 07 20:31:58 +0000 2010
…but Savannah wasn’t finished with me. I passed this historical sign on the way back. The indiginous doing epic battle with the alligators mentioned at the beginning. It couldn’t be more perfect…
Sun Feb 07 20:32:43 +0000 2010
Et fin fin.
… unless it was the second sign I passed, an illustration of were-deer wielding bows.
This was the first major lesson of dérive for me: step to the universe with your story and material shall be provided. The next day I went for dessert to a popular local icecream parlor. On the counter was an autographed photograph of the owners with some actors on the set of a movie: specifically The Wolfman.
What do you think?
We love our authentic period wallpaper at the Davenport House! Mr. Davenport was a master builder from New England. His home was his calling card for his builder skills. He employed the latest fashions -including wallpaper.
The term for the hall paper is Ashlar – masonry was a common hall paper.
Come by and visit with us again we could talk at length about the wallpaper and about out topics with regard to creatures.
It’s helpful to know what you were thinking while taking these shots and Twittering them, because it gives me a good sense of how I might do my own dérive one day!
Everyone should dérive at all times in their own head, it is an important aspect of class struggle! Or if you prefer: curious engagement. Sharing it in public is up to you, but interesting things happen.
Thank you Jamie, I’m not often in Savannah but I would love to. Despite using the word “nauseous” I thoroughly enjoyed the wallpaper and the house, it’s spectacular (and to anyone considering going, well worth a visit). “Ridiculous” I will not apologize for because I use that adjective only with great affection. What is the pattern in the parlor, the yellow one?
There is no place like Savannah! Ghosts live in that thick air.. It’s the perfect place to derive.
Huzzah to you!
When you come again we will show the attic!
Comments are closed.