By: Joshua Glenn

A sardonic picaresque set in the entrails of the legendary Trojan Horse.

By: Joshua Glenn

X-rays transform a nebbishy lab tech into a super-genius. But will he use his intellect for good or evil?

By: Joshua Glenn

Neil R. Jones’s PROFESSOR JAMESON stories. Among the first benevolent mechanoids…

By: Joshua Glenn

A. Merritt’s THE FACE IN THE ABYSS. Sex, hunting mutants with dinosaurs, and dream machines!

By: Joshua Glenn

Hergé’s TINTIN IN AMERICA. Non-stop action from Al Capone’s Chicago to an Indian reservation.

By: Lynn Peril

The original Ziggy Stardust — ’60s rocker Vince Taylor.

By: James Parker

The upbringing of Kullervo: “And so he grew sebaceous/and turned into a teen.”

By: Joshua Glenn

Jack London’s THE IRON HEEL — in which fascism triumphs in the United States.

By: Alix Lambert

Alfred Hitchcock’s I CONFESS: Each micro movement of Clift’s face shows us everything.

By: Joshua Glenn

Maurice LeBlanc’s THE TREMENDOUS EVENT — a new landmass arises between England and France!

By: Joshua Glenn

Victor Rousseau’s THE MESSIAH OF THE CYLINDER — an early dystopia.

By: James Parker

Vainamoinen: “Wherever I walk, I step in golden turds of language.”

By: Joshua Glenn

E.E. “Doc” Smith’s SPACEHOUNDS OF IPC — an early space opera.

By: Joshua Glenn

Maurice Renard’s DOCTEUR LERNE — in which the Minotaur myth comes to life!

By: Lynn Peril

“The only problem with Candy Jones’ story is this: do you believe it?”