By: Lucy Sante

If CHESTER HIMES (1909-84) hadn’t found himself broke in France in the mid-1950s he might today be remembered only as the author of some acute, painful treatments of racism and prison life — the kind […]

By: Tom Nealon

Before NORTHROP FRYE (1912-91) there was no Literary Theory, only criticism. He blasted a place for the former, as a distinct field of study — first with Fearful Symmetry (1947) and then decisively with Anatomy […]

By: Erik Davis

Smith explored the inner landscapes opened up by postwar mind science.

By: James Parker

The castle of consciousness, turret and coign, too huge for the human head, where stalk the battlements, robed and forbidding, the super-intelligent dead, has terrible deeps and horrible heights, and walls that are wondrous thick, […]

By: Jason Grote

The biography of ROBERT A. HEINLEIN (1907-88) firmly places Golden-Age SF on the grand continuum of Americana: the no-nonsense engineer’s mentality of his Kansas City upbringing, his longing for military service (he graduated from the […]

By: Patrick Cates

Patrick C. stared in silent disbelief at the bureaucrat who sat on the other side of the desk. Eventually he gathered himself and spoke in an exasperated plea: “You want me to write 150 words […]

By: Joshua Glenn

The secret origins of Generation Y

By: Lucy Sante

“They threw me off the hay truck about noon.” The celebrated first line of The Postman Always Rings Twice (1934) by JAMES M. CAIN (1892-1977) tersely illustrates his verbal and narrative economy as well as […]

By: Joshua Glenn

Nope! A century-old literary mystery, solved.

By: James Parker

He was terribly fierce.

By: Jason Grote

Octavia E. Butler

By: Franklin Bruno

Today, the name MARY McCARTHY (1912-89) first brings to mind the frank bed-hopping and catty portraiture of The Company She Keeps and The Group, her biggest seller. But she was also an immaculate stylist, and […]

By: Joshua Glenn

Psyche­delic revel­ations about the arti­ficial nature of reality

By: Joshua Glenn

“To and fro/Stop and go/That’s what makes the world go round…” Ugh. I pity the fool who sees Disney’s 1963 adaptation of The Sword in the Stone (from which these insipid lyrics are quoted) before […]

By: Lucy Sante

Witty and brutal, poetic and blunt.