THE SECRET OF THE MACHINES

By: Rudyard Kipling
May 4, 2022

A (pro- or anti-) science-, mathematics-, technology-, space-, apocalypse-, dehumanization-, disenchantment-, and/or future-oriented poem published during sf’s emergent Radium Age (c. 1900–1935).

Rudyard Kipling’s poem “The Secret of the Machines” was published in A School History of England (1911), a work of racist, imperialist propaganda by C.R.L. Fletcher and Rudyard Kipling.

*

We were taken from the ore-bed and the mine,
      We were melted in the furnace and the pit —
We were cast and wrought and hammered to design,
      We were cut and filed and tooled and gauged to fit.
Some water, coal, and oil is all we ask,
      And a thousandth of an inch to give us play:
And now, if you will set us to our task,
      We will serve you four and twenty hours a day!

      We can pull and haul and push and lift and drive,
      We can print and plough and weave and heat and light,
      We can run and race and swim and fly and dive,
      We can see and hear and count and read and write!

Would you call a friend from half across the world?
      If you’ll let us have his name and town and state,
You shall see and hear your crackling question hurled
      Across the arch of heaven while you wait.
Has he answered ? Does he need you at his side —
      You can start this very evening if you choose
And take the Western Ocean in the stride
      Of seventy thousand horses and some screws!

      The boat-express is waiting your command!
      You will find the Mauretania at the quay,
      Till her captain turns the lever ‘neath his hand,
      And the monstrous nine-decked city goes to sea.

Do you wish to make the mountains bare their head
      And lay their new-cut forests at your feet?
Do you want to turn a river in its bed,
      Or plant a barren wilderness with wheat?
Shall we pipe aloft and bring you water down
      From the never-failing cisterns of the snows,
To work the mills and tramways in your town,
      And irrigate your orchards as it flows?

      It is easy! Give us dynamite and drills!
      Watch the iron-shouldered rocks lie down and quake,
      As the thirsty desert-level floods and fills,
      And the valley we have dammed becomes a lake.

But remember, please, the Law by which we live,
      We are not built to comprehend a lie,
We can neither love nor pity nor forgive.
      If you make a slip in handling us you die!
We are greater than the Peoples or the Kings —
      Be humble, as you crawl beneath our rods! —
Our touch can alter all created things,
      We are everything on earth — except The Gods!

      Though our smoke may hide the Heavens from your eyes,
      It will vanish and the stars will shine again,
      Because, for all our power and weight and size,
      We are nothing more than children of your brain!

***

RADIUM AGE PROTO-SF POETRY: H.D.’s STARS WHEEL IN PURPLE | Clark Ashton Smith’s FROM PLANET UNTO PLANET WHIRLED | Anonymous’s ASTRONOMIC JOSH | Rudyard Kipling’s THE SECRET OF THE MACHINES | Randolph Bourne’s SABOTAGE | Stephen Spender’s THE PYLONS | Ford Madox Ford’s GREY MATTER | W.E. Henley’s A SONG OF SPEED | H.L. Mencken’s A BALLAD OF LOOKING | George Sterling’s THE TESTIMONY OF THE SUNS | Vachel Lindsay’s THE SCIENTIFIC ASPIRATION | Thomas Hardy’s EPITAPH FOR G.K. CHESTERTON | Archibald MacLeish’s EINSTEIN | Thomas Thornely’s THE ATOM | Charles M. Doughty’s THE CLIFFS | William Butler Yeats’s THE SECOND COMING | Guillaume Apollinaire’s THE LITTLE CAR | Archibald MacLeish’s MAN! | Max Beerbohm’s A SEQUELULA TO “THE DYNASTS” | C.S. Lewis’s DYMER | Stephen Vincent Benét’s METROPOLITAN NIGHTMARE | Michael Roberts’s NOTE ON Θ, Φ, and Ψ | D.H. Lawrence’s FUTURE WAR | Laurence Binyon’s NUMBERS | Frederik Pohl’s ELEGY TO A DEAD PLANET: LUNA | F.V. Branford’s FAREWELL TO MATHEMATICS | D.H. Lawrence’s THE EVENING LAND | Carl Sandburg’s MANUAL SYSTEM | Robert Frost’s FIRE AND ICE | D.H. Lawrence’s THE REVOLUTIONARY | Blaise Cendrar’s ORION | Aldous Huxley’s FIFTH PHILOSOPHER’S SONG | Charles Buxton Going’s THE SONG OF STEEL | D.H. Lawrence’s UNDERNEATH | Sara Teasdale’s “THERE WILL COME SOFT RAINS” | Edith Södergran’s ON FOOT I HAD TO… | Louis Untermeyer’s PORTRAIT OF A MACHINE | D.H. Lawrence’s BOMBARDMENT | Robert Graves’s WELSH INCIDENT | D.H. Lawrence’s TO LET GO OR TO HOLD ON —? | Nancy Cunard’s ZEPPELINS | W.J. Turner’s MISS AMERICA | Julian Huxley’s TO A DANCER | W.B. Yeats’s SAILING TO BYZANTIUM | John Collings Squire’s THE SURVIVAL OF THE FITTEST | D.H. Lawrence’s WELLSIAN FUTURES | Julian Huxley’s COSMIC DEATH | Robinson Jeffers’s SCIENCE | D.H. Lawrence’s SUBURBS ON A HAZY DAY | A.S. Eddington’s ONE THING IS CERTAIN | Rudyard Kipling’s THE TRADE | Emil Raymond’s TWINKLE, TWINKLE, LITTLE STAR | D.H. Lawrence’s THE TRIUMPH OF THE MACHINE | Marianne Moore’s IN THE DAYS OF PRISMATIC COLOR | Vachel Lindsay’s EUCLID | D.H. Lawrence’s GIVE US GODS | Alfred Noyes’s WATCHERS OF THE SKY | Edna St. Vincent Millay’s EUCLID ALONE | W.J. Turner’s IN TIME LIKE GLASS | Emma Rounds’s PLANE GEOMETRY | Robert Grant’s THE SUPERMAN | D.H. Lawrence’s THE THIRD THING | Ralph Milne Farley’s THE END OF THE WORLD | Robinson Jeffers’s ROAN STALLION | A.S. Eddington’s INFINITY | Karel Čapek’s WHAT OUR AGE HAS DONE | D.H. Lawrence’s ROBOT POEMS | Mina Loy’s LUNAR BAEDEKER | John Lehmann’s THIS EXCELLENT MACHINE | Jean Toomer’s HER LIPS ARE COPPER WIRE | D.H. Lawrence’s RELATIVITY | Clark Ashton Smith’s AFTERWARDS | D.H. Lawrence’s SPACE | Ronald Ross’s THE ANNIVERSARY | Rudyard Kipling’s MACDONOUGH’S SONG | Robert Bridges’ THE TESTAMENT OF BEAUTY | Clark Ashton Smith’s THE STAR-TREADER | Archibald MacLeish’s EPISTLE TO BE LEFT TO THE EARTH | D.H. Lawrence’s LET US BE MEN | Michael Roberts’s MIDNIGHT | William Stanley Braithwaite’s DEL CASCAR | F.V. Branford’s THE MOON | A.S. Eddington’s “THERE ONCE WAS A BREATHY BABOON” | Michael Roberts’s PERSPECTIVE | Arthur Schnitzler’s LEINBACH’S PROOF | Michael Roberts’s ROCKS ARE IMMUTABLE | F.V. Branford’s MASTER CELLS | Clark Ashton Smith’s THE NEMESIS OF SUNS | D.H. Lawrence’s DARK SATANIC MILLS | William Empson’s LETTER I | Amy Lowell’s MIDDAY AND AFTERNOON | D.H. Lawrence’s THE GULF | Wallace Stevens’s FABLIAU OF FLORIDA | Kenneth Rexroth’s “HEAVEN IS FULL OF DEFINITE STARS…” | Leslie Pinckney Hill’s ARMAGEDDON | William Stanley Braithwaite’s DISTANCES | Lucian B. Watkins’s SAN FRANCISCO’S 18th OF APRIL (1906) | D.H. Lawrence’s HOLD BACK! | C. Day Lewis’s TRANSITIONAL POEM | Wallace Stevens’s THE IDEA OF A COLONY | D.H. Lawrence’s MEN LIKE GODS | Valery Bryusov’s THE DAYS SHALL COME OF FINAL DESOLATION | Amy Lowell’s A COMPARISON | D.H. Lawrence’s MEN AND MACHINES | Herbert Read’s MUTATIONS OF THE PHŒNIX | T.E. Hulme’s CINDERS | T.S. Eliot’s THE WASTE LAND | Hugh MacDiarmid’s STONY LIMITS | Herbert Read’s THE RETREAT | D.H. Lawrence’s SOULS TO SAVE | Laurence Binyon’s THE ZEPPELIN.

Categories

Poetry, Radium Age SF