THE ATOM
By:
September 30, 2022
A (pro- or anti-) science-, mathematics-, technology-, space-, apocalypse-, dehumanization-, disenchantment-, and/or future-oriented poem published during sf’s emergent Radium Age (c. 1900–1935).
“We do not in the least know how to harness the energy locked up in the atoms of matter. If it could be liberated at will, we should experience a violence besides which the suddenness of high explosive is gentle and leisurely.” — Sir O. LODGE.
Wake not the imprisoned power that
sleeps,
Unknown, or dimly guessed, in thee!
Thine awful secret Nature keeps,
And pales, when stealthy science creeps
Towards that beleaguered mystery.
Well may she start and desperate strain,
To thrust the bold besiegers back;
If they that citadel should gain,
What grisly shapes of death and pain
May rise and follow in their track!
The power that warring atoms yield,
Man has to guiltiest purpose turned.
Too soon the wonder was revealed,
Earth flames in one red battle-field,
Could but that lesson be unlearned!
Thy last dread secret, Nature! keep;
Add not to man’s tumultuous woes;
Till war and hate are laid to sleep,
Keep those grim forces buried deep,
That in thine atoms still repose.
— from Verses From Fen And Fell (1921)
RADIUM AGE PROTO-SF POETRY: H.D.’s STARS WHEEL IN PURPLE | Clark Ashton Smith’s FROM PLANET UNTO PLANET WHIRLED | Anonymous’s ASTRONOMIC JOSH | Rudyard Kipling’s THE SECRET OF THE MACHINES | Randolph Bourne’s SABOTAGE | Stephen Spender’s THE PYLONS | Ford Madox Ford’s GREY MATTER | W.E. Henley’s A SONG OF SPEED | H.L. Mencken’s A BALLAD OF LOOKING | George Sterling’s THE TESTIMONY OF THE SUNS | Vachel Lindsay’s THE SCIENTIFIC ASPIRATION | Thomas Hardy’s EPITAPH FOR G.K. CHESTERTON | Archibald MacLeish’s EINSTEIN | Thomas Thornely’s THE ATOM | Charles M. Doughty’s THE CLIFFS | William Butler Yeats’s THE SECOND COMING | Guillaume Apollinaire’s THE LITTLE CAR | Archibald MacLeish’s MAN! | Max Beerbohm’s A SEQUELULA TO “THE DYNASTS” | C.S. Lewis’s DYMER | Stephen Vincent Benét’s METROPOLITAN NIGHTMARE | Michael Roberts’s NOTE ON Θ, Φ, and Ψ | D.H. Lawrence’s FUTURE WAR | Laurence Binyon’s NUMBERS | Frederik Pohl’s ELEGY TO A DEAD PLANET: LUNA | F.V. Branford’s FAREWELL TO MATHEMATICS | D.H. Lawrence’s THE EVENING LAND | Carl Sandburg’s MANUAL SYSTEM | Robert Frost’s FIRE AND ICE | D.H. Lawrence’s THE REVOLUTIONARY | Blaise Cendrar’s ORION | Aldous Huxley’s FIFTH PHILOSOPHER’S SONG | Charles Buxton Going’s THE SONG OF STEEL | D.H. Lawrence’s UNDERNEATH | Sara Teasdale’s “THERE WILL COME SOFT RAINS” | Edith Södergran’s ON FOOT I HAD TO… | Louis Untermeyer’s PORTRAIT OF A MACHINE | D.H. Lawrence’s BOMBARDMENT | Robert Graves’s WELSH INCIDENT | D.H. Lawrence’s TO LET GO OR TO HOLD ON —? | Nancy Cunard’s ZEPPELINS | W.J. Turner’s MISS AMERICA | Julian Huxley’s TO A DANCER | W.B. Yeats’s SAILING TO BYZANTIUM | John Collings Squire’s THE SURVIVAL OF THE FITTEST | D.H. Lawrence’s WELLSIAN FUTURES | Julian Huxley’s COSMIC DEATH | Robinson Jeffers’s SCIENCE | D.H. Lawrence’s SUBURBS ON A HAZY DAY | A.S. Eddington’s ONE THING IS CERTAIN | Rudyard Kipling’s THE TRADE | Emil Raymond’s TWINKLE, TWINKLE, LITTLE STAR | D.H. Lawrence’s THE TRIUMPH OF THE MACHINE | Marianne Moore’s IN THE DAYS OF PRISMATIC COLOR | Vachel Lindsay’s EUCLID | D.H. Lawrence’s GIVE US GODS | Alfred Noyes’s WATCHERS OF THE SKY | Edna St. Vincent Millay’s EUCLID ALONE | W.J. Turner’s IN TIME LIKE GLASS | Emma Rounds’s PLANE GEOMETRY | Robert Grant’s THE SUPERMAN | D.H. Lawrence’s THE THIRD THING | Ralph Milne Farley’s THE END OF THE WORLD | Robinson Jeffers’s ROAN STALLION | A.S. Eddington’s INFINITY | Karel Čapek’s WHAT OUR AGE HAS DONE | D.H. Lawrence’s ROBOT POEMS | Mina Loy’s LUNAR BAEDEKER | John Lehmann’s THIS EXCELLENT MACHINE | Jean Toomer’s HER LIPS ARE COPPER WIRE | D.H. Lawrence’s RELATIVITY | Clark Ashton Smith’s AFTERWARDS | D.H. Lawrence’s SPACE | Ronald Ross’s THE ANNIVERSARY | Rudyard Kipling’s MACDONOUGH’S SONG | Robert Bridges’ THE TESTAMENT OF BEAUTY | Clark Ashton Smith’s THE STAR-TREADER | Archibald MacLeish’s EPISTLE TO BE LEFT TO THE EARTH | D.H. Lawrence’s LET US BE MEN | Michael Roberts’s MIDNIGHT | William Stanley Braithwaite’s DEL CASCAR | F.V. Branford’s THE MOON | A.S. Eddington’s “THERE ONCE WAS A BREATHY BABOON” | Michael Roberts’s PERSPECTIVE | Arthur Schnitzler’s LEINBACH’S PROOF | Michael Roberts’s ROCKS ARE IMMUTABLE | F.V. Branford’s MASTER CELLS | Clark Ashton Smith’s THE NEMESIS OF SUNS | D.H. Lawrence’s DARK SATANIC MILLS | William Empson’s LETTER I | Amy Lowell’s MIDDAY AND AFTERNOON | D.H. Lawrence’s THE GULF | Wallace Stevens’s FABLIAU OF FLORIDA | Kenneth Rexroth’s “HEAVEN IS FULL OF DEFINITE STARS…” | Leslie Pinckney Hill’s ARMAGEDDON | William Stanley Braithwaite’s DISTANCES | Lucian B. Watkins’s SAN FRANCISCO’S 18th OF APRIL (1906) | D.H. Lawrence’s HOLD BACK! | C. Day Lewis’s TRANSITIONAL POEM | Wallace Stevens’s THE IDEA OF A COLONY.