DISTENDED ANIMATION (8)
December 19, 2021
In a recent issue of his terrific newsletter Burning Shore, HILOBROW friend Erik Davis listed a few “favorite, mostly West Coast, experimental animations.” Cross-posted with his permission, this series brings you Erik’s list. Enjoy! — ed.
JORDAN BELSON | SAMADHI | 1967
Belson was another San Francisco mystic, a hermetic film artisan who probably did more yoga and meditation than anyone else on this list. His films, which relied on mechanical and light effects created on a homemade optical bench, erode the distinction between crafted images and altered states, and they hit your eye with an intoxicating quality at once cosmic and intimate, as if he somehow managed to draw you into his inner sensorium.
As Belson himself said, Samadhi “is intended to be a real documentary representation, as accurately as it was possible to make, of a real place and a real visual phenomenon that I perceived—just as I am looking at you right now.”
CURATED SERIES at HILOBROW: LINOCUT 2022 by Lawry Hutcheson | PULP WAVE by Charles Leech | DRAWING TABLE WORLD by Theo Ellsworth | DISTENDED ANIMATION by Erik Davis | PARAMAX by Max Glenn | YUKO ODA by Yuko Oda | GOOD WORK JOE by Joe Alterio | LI’L REUSCH by Mister Reusch | LINOCUT 2020 by Lawry Hutcheson | CHALK.PRESS by Adam Netburn | PLAGUE YEAR by Rick Pinchera | NOOSFERA by Charles Glaubitz | CENTER OF THE UNIVERSE by Douglas Wolk | A SILENT HALLUCINATION by Alex Gerasev | BUNNY CITY by Gary Panter | HOP UP by Luc Sante | UNBORED CANON by Josh Glenn | CARPE PHALLUM by Patrick Cates | MS. K by Heather Kasunick | HERE BE MONSTERS by Mister Reusch | DOWNTOWNE by Bradley Peterson | #FX by Michael Lewy | PINNED PANELS by Zack Smith | TANK UP by Tony Leone | OUTBOUND TO MONTEVIDEO by Mimi Lipson | TAKING LIBERTIES by Douglas Wolk | STERANKOISMS by Douglas Wolk | MARVEL vs. MUSEUM by Douglas Wolk | NEVER BEGIN TO SING by Damon Krukowski | WTC WTF by Douglas Wolk | COOLING OFF THE COMMOTION by Chenjerai Kumanyika | THAT’S GREAT MARVEL by Douglas Wolk | LAWS OF THE UNIVERSE by Chris Spurgeon | IMAGINARY FRIENDS by Alexandra Molotkow | UNFLOWN by Jacob Covey | ADEQUATED by Franklin Bruno | QUALITY JOE by Joe Alterio | CHICKEN LIT by Lisa Jane Persky | PINAKOTHEK by Luc Sante | ALL MY STARS by Joanne McNeil | BIGFOOT ISLAND by Michael Lewy | NOT OF THIS EARTH by Michael Lewy | ANIMAL MAGNETISM by Colin Dickey | KEEPERS by Steph Burt | AMERICA OBSCURA by Andrew Hultkrans | HEATHCLIFF, FOR WHY? by Brandi Brown | DAILY DRUMPF by Rick Pinchera | BEDROOM AIRPORT by “Parson Edwards” | INTO THE VOID by Charlie Jane Anders | WE REABSORB & ENLIVEN by Matthew Battles | BRAINIAC by Joshua Glenn | COMICALLY VINTAGE by Comically Vintage | BLDGBLOG by Geoff Manaugh | WINDS OF MAGIC by James Parker | MUSEUM OF FEMORIBILIA by Lynn Peril | ROBOTS + MONSTERS by Joe Alterio | MONSTOBER by Rick Pinchera | POP WITH A SHOTGUN by Devin McKinney | FEEDBACK by Joshua Glenn | 4CP FTW by John Hilgart | ANNOTATED GIF by Kerry Callen | FANCHILD by Adam McGovern | BOOKFUTURISM by James Bridle | NOMADBROW by Erik Davis | SCREEN TIME by Jacob Mikanowski | FALSE MACHINE by Patrick Stuart | SIGNIFICANT OBJECTS (cross-posted from Significant Objects website) | UNBORED MANIFESTO by Joshua Glenn and Elizabeth Foy Larsen | H IS FOR HOBO by Joshua Glenn | 4CP FRIDAY by guest curators