February 22, 2019
We are pleased to present a curated series by HILOBROW friend Michael Lewy, an artist whose current work explores midcentury sci-fi and horror movie practical effects. You can purchase a digital copy of Bigfoot Island: Chapter 2 here. Music and sound design by N.sputnik.
As a child, I built a spaceship in my closet. I took the needle of my record player and crushed it into the turntable to make a rocket sound. I hammered a Lucite coat hanger into the floor as a steering wheel. My handprinted view screen had a planet in the distance, and a piece of glass that looked like a rock as a power source, maybe a paperweight. My father was a traveling salesman who sold paperweights, among other things.
Images burrow themselves into the subconscious, their meaning ebbs and flows like radio transmissions from a past long forgotten. They return years later, the context gone, only appearing as vague references of their original forms.
I watched a lot of television back then. Television of the 1970s had a dreamlike, ephemeral quality. Sometimes you saw a show and had no idea what you were watching. You joined things in the middle, so stories slipped into disconnected fragments of narrative. Now, years later, images from these TV shows — Lost in Space, The Six Million Dollar Man, Star Trek, and Land of the Lost, among others — have resurfaced in the narratives I construct, blurred with the memories of the spaceships I built in the closet, the alien landscapes I sketched, and visions from my dreams.
This series, Bigfoot Island, suggests a children’s television show that might have existed between the channels, a reconstructed diary of channel surfing from my childhood. These moving images, created with a blend of analog and digital processes, function both as dioramas to be observed and as a secret, distant world, you might explore in person, if only you could find your way there.
MORE MICHAEL LEWY: ARTIST WEBSITE | CITY OF WORK | NOT OF THIS EARTH series | BIGFOOT ISLAND series | #FX series | Also! Michael Lewy illustrated the covers for HILOBOOKS’s RADIUM AGE SCIENCE FICTION paperbacks.
CURATED SERIES at HILOBROW: UNBORED CANON by Josh Glenn | CARPE PHALLUM by Patrick Cates | MS. K by Heather Kasunick | HERE BE MONSTERS by Mister Reusch | DOWNTOWNE by Bradley Peterson | #FX by Michael Lewy | PINNED PANELS by Zack Smith | TANK UP by Tony Leone | OUTBOUND TO MONTEVIDEO by Mimi Lipson | TAKING LIBERTIES by Douglas Wolk | STERANKOISMS by Douglas Wolk | MARVEL vs. MUSEUM by Douglas Wolk | NEVER BEGIN TO SING by Damon Krukowski | WTC WTF by Douglas Wolk | COOLING OFF THE COMMOTION by Chenjerai Kumanyika | THAT’S GREAT MARVEL by Douglas Wolk | LAWS OF THE UNIVERSE by Chris Spurgeon | IMAGINARY FRIENDS by Alexandra Molotkow | UNFLOWN by Jacob Covey | ADEQUATED by Franklin Bruno | QUALITY JOE by Joe Alterio | CHICKEN LIT by Lisa Jane Persky | PINAKOTHEK by Luc Sante | ALL MY STARS by Joanne McNeil | BIGFOOT ISLAND by Michael Lewy | NOT OF THIS EARTH by Michael Lewy | ANIMAL MAGNETISM by Colin Dickey | KEEPERS by Steph Burt | AMERICA OBSCURA by Andrew Hultkrans | HEATHCLIFF, FOR WHY? by Brandi Brown | DAILY DRUMPF by Rick Pinchera | BEDROOM AIRPORT by “Parson Edwards” | INTO THE VOID by Charlie Jane Anders | WE REABSORB & ENLIVEN by Matthew Battles | BRAINIAC by Joshua Glenn | COMICALLY VINTAGE by Comically Vintage | BLDGBLOG by Geoff Manaugh | WINDS OF MAGIC by James Parker | MUSEUM OF FEMORIBILIA by Lynn Peril | ROBOTS + MONSTERS by Joe Alterio | MONSTOBER by Rick Pinchera | POP WITH A SHOTGUN by Devin McKinney | FEEDBACK by Joshua Glenn | 4CP FTW by John Hilgart | ANNOTATED GIF by Kerry Callen | FANCHILD by Adam McGovern | BOOKFUTURISM by James Bridle | NOMADBROW by Erik Davis | SCREEN TIME by Jacob Mikanowski | FALSE MACHINE by Patrick Stuart | 12 DAYS OF SIGNIFICANCE | 12 MORE DAYS OF SIGNIFICANCE | 12 DAYS OF SIGNIFICANCE (AGAIN) | ANOTHER 12 DAYS OF SIGNIFICANCE | UNBORED MANIFESTO by Joshua Glenn and Elizabeth Foy Larsen | H IS FOR HOBO by Joshua Glenn | 4CP FRIDAY by guest curators