By: HILOBROW

It’s the season for heroes, tricksters, beauties, and devils.

By: Joshua Glenn

Is the thought of a noncapitalist utopia even possible after Stalinism?

By: HILOBROW

“Lots of lowbrows [and] highbrows, I’m telling you the facts”

By: Peggy Nelson

In a system that forbids escape and rewrites reality, fantasy becomes realpolitik.

By: Peggy Nelson

Do surrealist games work as algorithms?

By: Danny Fingeroth

Danny Fingeroth locates the point of superhero comics in a 1965 FF panel.

By: Matt Seneca

Matt Seneca finds sensuous formidability in WEIRD MYSTERY TALES (1972)

By: James Parker

Parker and Valicenti parse Young’s “Big Jack” solo.

By: James Parker

Parker and Valicenti parse Young’s “Back in Black” solo.

By: James Parker

Parker and Valicenti parse Young’s “Shot Down in Flames” solo.

By: Matthew Battles

Charlie Brown & le Misère du Monde.

By: James Parker

Parker and Valicenti parse Young’s “Sin City” solo.

By: James Parker

Parker and Valicenti parse Young’s two “Problem Child” solos.

By: James Parker

Introducing a series of posts about Angus Young’s solos…

By: Adam McGovern

A panel from Jack Kirby’s NEW GODS (1971) haunts Adam McGovern.