James Hetfield

By: Patrick Cates

Even when JAMES HETFIELD (born 1963) smiles — which he did copiously during this year’s induction of Metallica into the Rock and Roll Hall of Fame, for example — his face can’t fully escape its […]

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Chuck D

By: Tom Nealon

During the Reagan Era, CHUCK D (Carlton Douglas Ridenhour, born 1960), the hard rhymer, gave us “My Uzi Weighs a Ton,” “Prophets of Rage,” and “Fight the Power,” not to mention Flavor Flav and the […]

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Louis Jordan

By: Douglas Wolk

For a good chunk of the 1940s, the R&B chart (or the “race records” chart, as Billboard called it then) might just as well have been called the LOUIS JORDAN (1908-75) chart: he scored hit […]

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Hanns Eisler

By: Franklin Bruno

Kurt Weill settled into a successful Broadway career after escaping Nazi Germany, but the American soujourn of Brecht’s other major Weimar-era musical collaborator did not end so fortunately. HANNS EISLER (1898-1962) set his Schoenberg-trained hand […]

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RZA

By: Tom Nealon

It seems impossible that the various identities — Prince Rakeem, Bobby Digital, RZArecta, The Abbot, Ruler Zig-Zag-Zig Allah — of rapper, producer, and film scorer RZA (Robert Fitzgerald Diggs, born 1969) form a coherent whole; […]

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Lena Horne

By: Franklin Bruno

For much of the 1940s, LENA HORNE (born 1917), Hollywood’s “sepia Cinderella,” was relegated to one or two set-piece numbers per film. Opulent, glamorous, and static, her turns in Two Girls and a Sailor and […]

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Cee-Lo Green

By: Jason Grote

Editor’s note: This is one of the most popular posts, traffic-wise, ever published on HiLobrow. Click here to see a list of the Top 25 Most Popular posts (as of October 2012); and click here […]

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Mark Mothersbaugh

By: Tor Aarestad

Although other rock frontmen had been strange before MARK MOTHERSBAUGH (born 1950), none had been so aggressively strange or so brazenly uncool. Devo was the soundtrack of a life spent stumbling on uneven pavement, knocking […]

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Erik Satie

By: Jason Grote

Parisian composer ERIK SATIE (1866-1925) was the great-grandaddy of ambient music, the distant progenitor of Musak and smooth jazz. In 1902, Satie and friends introduced what they called “Furniture Music” in a Paris Gallery — […]

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