Early ’60s Horror (6)
“The strange and sinister embroidered on… the normal and easy.”
“The strange and sinister embroidered on… the normal and easy.”
A scene from CANDYMAN (1992)
A scene from A BUCKET OF BLOOD (1959)
The irrepressible embodiment of America’s racial ambiguities
His Fu Manchu yarns succeeded by stoking readers’ fear of a Yellow Peril.
Roger Vadim’s Blood and Roses: Sexy transgressive euro-Evil wins!
Eyes Without a Face: dispassionate yet romantic, gory yet lyrical
The boundary between uncanny and uncanny-fantastic is a difficult one.
Liminal Horror movies — between the supernatural and the everyday.
Why are horror movies from 1960-63 so resistant to critical analysis?
Beware!!! It’s… the avatar of lowbrow schlock-producers!!!
His spooky-measured voice evoked a civilized darkness.
Beauty — rapturous sexy sexy, glorious abandon at war with ethics.
X (1963), adapted by Eunice Sudak from the 1963 movie X.
On which actor did Ditko base Doctor Strange’s vibe?