PLANET OF PERIL (51)

How did Tombstone become the mascot of the San Francisco Press Club?

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By Lynn Peril

MEDIA DIET

Annalee Newitz on: paperbacks, “Interview with the Vampire,” 404Media.

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By Annalee Newitz

16th
Sep

Infinite Liberal Arts

I’ve been a mere lurker at Infinite Summer, the online book club which sprang up to honor the late David Foster Wallace by exploring...
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By Matthew Battles

16th
Sep

New Gods: 1914-23

The New Gods are stronger, faster, and smarter than other generations.
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By Joshua Glenn

16th
Sep

Only Connect

Last week the New York Times’s occasional “Op-Art” column was furnished by Inga Dubay and Barbara Getty, whose handwriting manuals explain and promote the...
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By Matthew Battles

16th
Sep

Colin Newman

Now that the radical punch of punk seems no more potent than a daisy in a National Guardsman’s rifle, the artsy-fartsy fundament of its...
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By Erik Davis

15th
Sep

Nipsey Russell

Like Bea Arthur, Pearl Bailey, and Redd Foxx, the televisual omnipresence of JULIUS “NIPSEY” RUSSELL (1918?-2005) belied his status as a veteran of less...
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By Franklin Bruno

14th
Sep

Margaret Sanger

As a visiting nurse in New York’s tenements at the turn of the 20th century, MARGARET SANGER (1879-1966) once heard a woman recovering from...
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By Lynn Peril

13th
Sep

Winds of Magic (1): Dark Chocolate

Director Tim Burton’s Charlie and the Chocolate Factory has many fine qualities, but they founder and die away to nothing on the eerie smoothness...
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By James Parker

13th
Sep

Roald Dahl

We’re riding a swell of black-humored children’s literature, these days — the Lemony Snicket books are just a whitecap. However, as dark as these...
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By Tor Aarestad