By: Mark Kingwell

Desire seeks the Real but is trapped in the Symbolic order of language and representation.

By: Joshua Glenn

Rebooting is no nostalgia trip — nor is it snarkily ironic.

By: Joshua Glenn

Joshua Glenn on a panel from TALES TO ASTONISH (1962)

By: Joshua Glenn

A scene from CLAMBAKE (1967)

By: Mark Kingwell

He tracked the “lines of flight” that ideas can take up against power.

By: Joshua Glenn

He began as a critic of Middlebrow, but was suborned by it.

By: HILOBROW

We couldn’t have done it without you, in 2010.

By: Joshua Glenn

Josh’s work, un-work, action and inaction: 2010.

By: Joshua Glenn

Is Sherlock a semionaut, or just a brilliant bigot?

By: Joshua Glenn

Middlebrow ads on HiLobrow?

By: Joshua Glenn

Chevron’s “I Will” campaign owes a debt to Foucault and Kafka.

By: Joshua Glenn

The IBM brand has gone touchy-feely. Does “humanized science” coding need refreshing?

By: David Smay

Lois Lane’s Super-Brain!

By: Joshua Glenn

Head & Shoulders discovers a new element molecule.

By: Joshua Glenn

Pity the poor semio­naut, who “reads” the world phen­omeno­logically.