By: Joshua Glenn

From HOMBRE and SOLARIS to JAMES AND THE GIANT PEACH

By: Joshua Glenn

From THE STARS MY DESTINATION to COP HATER.

By: Joshua Glenn

From THE PUPPET MASTERS and SPARTACUS to THE DAY OF THE TRIFFIDS.

By: Joshua Glenn

From TITUS GROAN and THE DARK WORLD to THE SECRET OF THE SWORDFISH.

By: Joshua Glenn

From THANK YOU, MR. MOTO and THE DARK FRONTIER to WAR WITH THE NEWTS.

By: Joshua Glenn

From SWALLOWDALE to THE GLASS KEY to THE FACE IN THE ABYSS.

By: Joshua Glenn

From THE MURDER OF ROGER ACKROYD to THE DEVIL’S GUARD.

By: Joshua Glenn

From WE to SCARAMOUCHE

By: Joshua Glenn

From THE LONG SHIPS to TRAITOR’S PURSE

By: Anthony Miller

A voice crying out in — and for — the American wilderness.

By: Joshua Glenn

From ASTERIX THE LEGION­ARY to CHANCY AND THE GRAND RASCAL

By: Joshua Glenn

From GREENMANTLE to THE BORDER LEGION

By: Joshua Glenn

From THE CRYING OF LOT 49 to BABEL-17.

By: Devin McKinney

Her characters suffer from education, rumination, privilege.

By: Brian Berger

He wrote a stunning semi-meta­fictional masterpiece.