By: Katie Hennessey

Though often cast as a lovable father in middlebrow comedies like The Shaggy Dog and the long-running TV show My Three Sons, FRED MACMURRAY (1908-91) was more convincing in noir films. In Double Indemnity (1944), […]

By: Mimi Lipson

Filmmaker PRESTON STURGES (1898-1959) made a joyful mockery of the Hays Code with his improbably wholesome card sharks, unwed mothers, imposters and flimflammers, his ballot box stuffers, shoplifters, party girls and bigamists. “I can’t keep […]

By: David Smay

Insanely prolific, unbelievably vital, formally inventive.

By: Greg Rowland

All hail the Mighty Fin! For was it not JIMMY FINLAYSON (1887-1953), third banana in 33 Laurel and Hardy films, who offered us emancipation through his unique enactment of The Double Take & Fade Away? […]

By: Lynn Peril

She had oodles of cash, acres of style, and eventually her very own 18th-century palazzo on Venice’s Grand Canal, where she slept in a sterling silver bed designed by Alexander Calder. There was heartache — […]

By: Annie Nocenti

“My nose is blown, doc,” mopes a bandaged bloodhound cop as he sags against a panel border. In “No Nose is Good Nose,” Dr. Howland Owl laughs at the patient, violating his “hippocritical oaf.” Set […]

By: Matthew Battles

JORGE LUIS BORGES (1899–1986). The gaucho stood over the dead man, smeared the blade of his facón across his poncho, and slid it away somewhere within the folds of cloth. The smell of blood already […]

By: Tor Aarestad

The most widely known American anthropologist since Margaret Mead, CLIFFORD GEERTZ (1926-2006) was instrumental in turning anthropology into the respectable and (more importantly) theory-poachable discipline it became in the 1970s and ’80s. How? Though he […]

By: Ingrid Schorr

Despite her reputation as the witty gal of the Algonquin Round Table, DOROTHY PARKER (1893-1967) dismissed the clique as “just a lot of people telling jokes and telling each other how good they were.” They […]

By: Sarah Weinman

The thing about KIM CATTRALL (born 1956) is that when she was young she was middle-aged, and in middle age found her youth — that is, she was playing Samantha Jones in lowbrow movies years […]

By: Erik Davis

He introduced “outsideness” — cosmic dread — to science fiction.

By: Douglas Wolk

OGDEN NASH (1902-71) was the American master of light verse, an art that has fallen on hard times, since it requires both gentle jokes that everyone can find amusing and barnstorming verbal agility of the […]

By: Annie Nocenti

The life and films of ROMAN POLANSKI (born 1933) in turn foreshadow, stalk and haunt each other. His films seem apolitical, but the claustrophobia of his childhood — in the Kraków Ghetto, surrounded by barbed […]

By: David Smay

The very public tragedies in the life of TED HUGHES (1930-98) sometimes overshadow his work. He’s been blamed him for the murder/suicide of his second wife and daughter, and most famously for the suicide of […]

By: Patrick Cates

Until he was nearly 50, CHARLES BUKOWSKI (1920-94), drinker, womanizer, brawler and writer, cranked out short stories and poetry only in his spare time. These garnered him a reputation for miniatures that accurately and painfully […]