By: Joshua Glenn

A scene from HIS GIRL FRIDAY (1940)

By: Joshua Glenn

A scene from YOUNG AND INNOCENT (1937)

By: Joshua Glenn

A scene from RAISING ARIZONA (1987)

By: Joshua Glenn

Debating in a vacuum

By: Joshua Glenn

A scene from THE BAD NEWS BEARS (1976)

By: Joshua Glenn

A scene from THE FIFTH ELEMENT (1997)

By: Joshua Glenn

One of the era’s truly great high-lowbrow high-wire artists.

By: Joshua Glenn

He wrote superman novels, and criticized humankind’s mediocrity.

By: Joshua Glenn

A scene from THE LONG GOODBYE (1973)

By: Joshua Glenn

Forget Phantom of the Opera — check out his cyborg novel!

By: Joshua Glenn

He bridged the gap between two eras of science fiction.

By: Joshua Glenn

His ennui and spleen were visceral reactions to emergent neoliberalism.

By: Joshua Glenn

Unfairly criticized as a cultural mandarin, he defended joy.

By: Joshua Glenn

Her Maida Books are feminist science fiction.

By: Joshua Glenn

A fanboys’ fanboy, he coined the term “Cthulhu Mythos.”