THE HARBOR-MASTER (8)
By:
March 25, 2023
HiLoBooks is pleased to serialize Robert W. Chambers’s “The Harbor-Master,” a 1906 story (People’s Magazine; a variant of “The Harbour Master,” 1899 in Ainslee’s Magazine), here at HILOBROW. The story, which forms the first four chapters of the 1904 novel/collection In Search of the Unknown, was a direct influence on H.P. Lovecraft’s “The Shadow Over Innsmouth” (w. 1931, p. 1936)… and it anticipates The Creature from the Black Lagoon too.
ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8.
By six o’clock next evening I had Halyard’s luggage stowed away in the cat-boat, and the pretty nurse’s effects corded down, with the newly hatched auk-chicks in a hat-box on top. She and I placed the osier cage aboard, securing it firmly, and then, throwing tablecloths over the auks’ heads, we led those simple and dignified birds down the path and across the plank at the little wooden pier. Together we locked up the house, while Halyard stormed at us both and wheeled himself furiously up and down the beach below. At the last moment she forgot her thimble. But we found it, I forget where.
“Come on!” shouted Halyard, waving his shawls furiously; “what the devil are you about up there?”
He received our explanation with a sniff, and we trundled him aboard without further ceremony.
“Don’t run me across the plank like a steamer trunk!” he shouted, as I shot him dexterously into the cock-pit. But the wind was dying away, and I had no time to dispute with him then.
The sun was setting above the pine-clad ridge as our sail flapped and partly filled, and I cast off, and began a long tack, east by south, to avoid the spouting rocks on our starboard bow.
The sea-birds rose in clouds as we swung across the shoal, the black surf-ducks scuttered out to sea, the gulls tossed their sun-tipped wings in the ocean, riding the rollers like bits of froth.
Already we were sailing slowly out across that great hole in the ocean, five miles deep, the most profound sounding ever taken in the Atlantic. The presence of great heights or great depths, seen or unseen, always impresses the human mind — perhaps oppresses it. We were very silent; the sunlight stain on cliff and beach deepened to crimson, then faded into sombre purple bloom that lingered long after the rose-tint died out in the zenith.
Our progress was slow; at times, although the sail filled with the rising land breeze, we scarcely seemed to move at all.
“Of course,” said the pretty nurse, “we couldn’t be aground in the deepest hole in the Atlantic.”
“Scarcely,” said Halyard, sarcastically, “unless we’re grounded on a whale.”
“What’s that soft thumping?” I asked. “Have we run afoul of a barrel or log?”
It was almost too dark to see, but I leaned over the rail and swept the water with my hand.
Instantly something smooth glided under it, like the back of a great fish, and I jerked my hand back to the tiller. At the same moment the whole surface of the water seemed to begin to purr, with a sound like the breaking of froth in a champagne-glass.
“What’s the matter with you?” asked Halyard, sharply.
“A fish came up under my hand,” I said; “a porpoise or something—”
With a low cry, the pretty nurse clasped my arm in both her hands.
“Listen!” she whispered. “It’s purring around the boat.”
“What the devil’s purring?” shouted Halyard. “I won’t have anything purring around me!”
At that moment, to my amazement, I saw that the boat had stopped entirely, although the sail was full and the small pennant fluttered from the mast-head.
Something, too, was tugging at the rudder, twisting and jerking it until the tiller strained and creaked in my hand. All at once it snapped; the tiller swung useless and the boat whirled around, heeling in the stiffening wind, and drove shoreward.
It was then that I, ducking to escape the boom, caught a glimpse of something ahead — something that a sudden wave seemed to toss on deck and leave there, wet and flapping — a man with round, fixed, fishy eyes, and soft, slaty skin.
But the horror of the thing were the two gills that swelled and relaxed spasmodically, emitting a rasping, purring sound—two gasping, blood-red gills, all fluted and scolloped and distended.
Frozen with amazement and repugnance, I stared at the creature; I felt the hair stirring on my head and the icy sweat on my forehead.
“It’s the harbor-master!” screamed Halyard.
The harbor-master had gathered himself into a wet lump, squatting motionless in the bows under the mast; his lidless eyes were phosphorescent, like the eyes of living codfish. After a while I felt that either fright or disgust was going to strangle me where I sat, but it was only the arms of the pretty nurse clasped around me in a frenzy of terror.
There was not a fire-arm aboard that we could get at. Halyard’s hand crept backward where a steel-shod boat-hook lay, and I also made a clutch at it. The next moment I had it in my hand, and staggered forward, but the boat was already tumbling shoreward among the breakers, and the next I knew the harbor-master ran at me like a colossal rat, just as the boat rolled over and over through the surf, spilling freight and passengers among the sea-weed-covered rocks.
When I came to myself I was thrashing about knee-deep in a rocky pool, blinded by the water and half suffocated, while under my feet, like a stranded porpoise, the harbor-master made the water boil in his efforts to upset me. But his limbs seemed soft and boneless; he had no nails, no teeth, and he bounced and thumped and flapped and splashed like a fish, while I rained blows on him with the boat-hook that sounded like blows on a football. And all the while his gills were blowing out and frothing, and purring, and his lidless eyes looked into mine, until, nauseated and trembling, I dragged myself back to the beach, where already the pretty nurse alternately wrung her hands and her petticoats in ornamental despair.
Beyond the cove, Halyard was bobbing up and down, afloat in his invalid’s chair, trying to steer shoreward. He was the maddest man I ever saw.
“Have you killed that rubber-headed thing yet?” he roared.
“I can’t kill it,” I shouted, breathlessly. “I might as well try to kill a football!”
“Can’t you punch a hole in it?” he bawled. “If I can only get at him—”
His words were drowned in a thunderous splashing, a roar of great, broad flippers beating the sea, and I saw the gigantic forms of my two great auks, followed by their chicks, blundering past in a shower of spray, driving headlong out into the ocean.
“Oh, Lord!” I said. “I can’t stand that,” and, for the first time in my life, I fainted peacefully — and appropriately— at the feet of the pretty nurse.
***
It is within the range of possibility that this story may be doubted. It doesn’t matter; nothing can add to the despair of a man who has lost two great auks.
As for Halyard, nothing affects him — except his involuntary sea-bath, and that did him so much good that he writes me from the South that he’s going on a walking-tour through Switzerland — if I’ll join him. I might have joined him if he had not married the pretty nurse. I wonder whether — But, of course, this is no place for speculation.
In regard to the harbor-master, you may believe it or not, as you choose. But if you hear of any great auks being found, kindly throw a table-cloth over their heads and notify the authorities at the new Zoological Gardens in Bronx Park, New York. The reward is ten thousand dollars.
RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit” | Max Brand’s The Untamed | Julian Huxley’s “The Tissue-Culture King” | Clare Winger Harris’s “A Runaway World” | Francis Stevens’s “Thomas Dunbar” | George Gurdjieff’s “Beelzebub’s Tales” | Robert W. Chambers’s “The Harbor-Master” | Mary E. Wilkins Freeman’s “The Hall Bedroom” | Clare Winger Harris’s “The Fifth Dimension” | Francis Stevens’s “Behind the Curtain” | more to come.