THE HARBOR-MASTER (2)
By:
March 6, 2023
HiLoBooks is pleased to serialize Robert W. Chambers’s “The Harbor-Master,” a 1906 story (People’s Magazine; a variant of “The Harbour Master,” 1899 in Ainslee’s Magazine), here at HILOBROW. The story, which forms the first four chapters of the 1904 novel/collection In Search of the Unknown, was a direct influence on H.P. Lovecraft’s “The Shadow Over Innsmouth” (w. 1931, p. 1936)… and it anticipates The Creature from the Black Lagoon too.
ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8.
I believe now that Professor Farrago perfectly interpreted my thoughts, but he betrayed neither resentment nor impatience I drew a chair up beside his desk — there was nothing to do but to obey, and this fool’s errand was none of my conceiving.
Together we made out a list of articles necessary for me and itemized the expenses I might incur, and I set a date for my return, allowing no margin for a successful termination to the expedition.
“Never mind that,” said the professor. “What I want you to do is to get those birds here safely. Now, how many men will you take?”
“None,” I replied, bluntly; “it’s a useless expense, unless there is something to bring back. If there is I’ll wire you, you may be sure.”
“Very well,” said Professor Farrago, good-humoredly, “you shall have all the assistance you may require. Can you leave to-night?”
The old gentleman was certainly prompt. I nodded, half-sulkily, aware of his amusement.
“So,” I said, picking up my hat, “I am to start north to find a place called Black Harbor, where there is a man named Halyard who possesses, among other household utensils, two extinct great auks—”
We were both laughing by this time. I asked him why on earth he credited the assertion of a man he had never before heard of.
“I suppose,” he replied, with the same half-apologetic, half-humorous smile, “it is instinct. I feel, somehow, that this man Halyard has got an auk — perhaps two. I can’t get away from the idea that we are on the eve of acquiring the rarest of living creatures. It’s odd for a scientist to talk as I do; doubtless you’re shocked — admit it, now!”
But I was not shocked; on the contrary, I was conscious that the same strange hope that Professor Farrago cherished was beginning, in spite of me, to stir my pulses, too.
“If he has—” I began, then stopped.
The professor and I looked hard at each other in silence.
“Go on,” he said, encouragingly.
But I had nothing more to say, for the prospect of beholding with my own eyes a living specimen of the great auk produced a series of conflicting emotions within me which rendered speech profanely superfluous.
As I took my leave Professor Farrago came to the door of the temporary, wooden office and handed me the letter written by the man Halyard. I folded it and put it into my pocket, as Halyard might require it for my own identification.
“How much does he want for the pair?” I asked.
“Ten thousand dollars. Don’t demur — if the birds are really—”
“I know,” I said, hastily, not daring to hope too much.
“One thing more,” said Professor Farrago, gravely; “you know, in that last paragraph of his letter, Halyard speaks of something else in the way of specimens — an undiscovered species of amphibious biped — just read that paragraph again, will you?”
I drew the letter from my pocket and read as he directed:
“When you have seen the two living specimens of the great auk, and have satisfied yourself that I tell the truth, you may be wise enough to listen without prejudice to a statement I shall make concerning the existence of the strangest creature ever fashioned. I will merely say, at this time, that the creature referred to is an amphibious biped and inhabits the ocean near this coast. More I cannot say, for I personally have not seen the animal, but I have a witness who has, and there are many who affirm that they have seen the creature.
You will naturally say that my statement amounts to nothing; but when your representative arrives, if he be free from prejudice, I expect his reports to you concerning this sea-biped will confirm the solemn statements of a witness I know to be unimpeachable.
“Yours truly, Burton Halyard.
“Black Harbor”
“Well,” I said, after a moment’s thought, “here goes for the wild-goose chase.”
“Wild auk, you mean,” said Professor Farrago, shaking hands with me. “You will start to-night, won’t you?”
“Yes, but Heaven knows how I’m ever going to land in this man Halyard’s door-yard. Good-bye!”
“About that sea-biped—” began Professor Farrago, shyly.
“Oh, don’t!” I said; “I can swallow the auks, feathers and claws, but if this fellow Halyard is hinting he’s seen an amphibious creature resembling a man—”
“—Or a woman,” said the professor, cautiously.
I retired, disgusted, my faith shaken in the mental vigor of Professor Farrago.
The three days’ voyage by boat and rail was irksome. I bought my kit at Sainte Croix, on the Central Pacific Railroad, and on June 1st I began the last stage of my journey via the Sainte Isole broad-gauge, arriving in the wilderness by daylight. A tedious forced march by blazed trail, freshly spotted on the wrong side, of course, brought me to the northern terminus of the rusty, narrow-gauge lumber railway which runs from the heart of the hushed pine wilderness to the sea.
Already a long train of battered flat-cars, piled with sluice-props and roughly hewn sleepers, was moving slowly off into the brooding forest gloom, when I came in sight of the track; but I developed a gratifying and unexpected burst of speed, shouting all the while. The train stopped; I swung myself aboard the last car, where a pleasant young fellow was sitting on the rear brake, chewing spruce and reading a letter.
“Come aboard, sir,” he said, looking up with a smile; “I guess you’re the man in a hurry.”
“I’m looking for a man named Halyard,” I said, dropping rifle and knapsack on the fresh-cut, fragrant pile of pine. “Are you Halyard?”
“No, I’m Francis Lee, bossing the mica pit at Port-of-Waves,” he replied, “but this letter is from Halyard, asking me to look out for a man in a hurry from Bronx Park, New York.”
“I’m that man,” said I, filling my pipe and offering him a share of the weed of peace, and we sat side by side smoking very amiably, until a signal from the locomotive sent him forward and I was left alone, lounging at ease, head pillowed on both arms, watching the blue sky flying through the branches overhead.
RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit” | Max Brand’s The Untamed | Julian Huxley’s “The Tissue-Culture King” | Clare Winger Harris’s “A Runaway World” | Francis Stevens’s “Thomas Dunbar” | George Gurdjieff’s “Beelzebub’s Tales” | Robert W. Chambers’s “The Harbor-Master” | Mary E. Wilkins Freeman’s “The Hall Bedroom” | Clare Winger Harris’s “The Fifth Dimension” | Francis Stevens’s “Behind the Curtain” | more to come.