DOLLY YOUR ENTHUSIASM (4)

By: Steacy Easton
January 11, 2023

One in a series of 25 enthusiastic posts, contributed by 25 HILOBROW friends and regulars, on the topic of favorite Country singles from the Sixties (1964–1973). Series edited by Josh Glenn. BONUS: Check out the DOLLY YOUR ENTHUSIASM playlist on Spotify.

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OLIVIA NEWTON-JOHN | “LET ME BE THERE” | 1973

“Let Me Be There,” a Grammy-winning song by future Country Music Association Award winner and soft goddess Olivia Newton John, helped delineate the edges of Country as a genre, and Country as an exercise in taste. This was an especially difficult task c. 1973, during an era that saw Country’s musical expansion suffer genuine backlash.

The song was beloved by Nashville. Tanya Tucker recorded it for her album Would You Lay with Me (In a Field of Stone), and Elvis performed it live, including in a 1974 Memphis concert. It showed up on Ike and Tina Turner’s Sweet Rhode Island Red, and on Conway Twitty and Loretta Lynn’s Feelins’. This is kind of how the genre worked: a song would become significant or big, and then it would be covered, passed around, and extinguished all in a couple of years’ time.

Newton-John’s Let Me Be There album, a melange of covers and folk songs, hints at the identity crisis that the Country genre was going through. The US release included “Me and Bobby McGee,” the murder ballad “Banks of the Ohio,” and the least haunting version ever of “Help Me Make It Through the Night.” Newton-John was soft, she lacked angst… but at the time Country was in the middle of an angst crisis. Every so often Country decides that it needs to be harder — meaning more butch, more masc — and so we get movements like “Outlaw Country” that prioritize men over women. The press was only interested in “Outlaw” when Newton-John released “Let Me Be There,” a delicate, permission-asking, almost lacy ode to obsessive desire.

“Let Me Be There” sounds country: It has the pedal steel, the little catch of an Australian accent that reads as twang, the soft structure and louder chorus. But it is sentimental, and unapologetic about its sentimentality. Which lends itself to ambiguity — is she a lover addressing another lover, a parent addressing a child, a friend addressing a friend (as the song’s third voice, which says that she can be leaned on, suggests)? The lyrics become less ambiguous when they mention “a wonderland that only two can share”; perhaps this might be a cheating song.

Rather than focus only on masterpieces, when we discuss what defines the Country genre, I’m fascinated by songs like this one — successful, but we don’t remember it. It was part of the conversation only at a certain moment. This isn’t even Newton-John’s best Country song! But when it comes to helping us interrogate received notions about what “Country” meant in and around 1973, it’s more useful than a masterpiece. Masterpieces are for chumps. The soft, ingratiating pleasure of “Let Me Be There” gives us critics something new to consider, something new to defend.

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DOLLY YOUR ENTHUSIASM: INTRODUCTION by Josh Glenn | David Cantwell on Porter Wagoner and Dolly Parton’s WE FOUND IT | Lucy Sante on Johnny & June Carter Cash’s JACKSON | Mimi Lipson on George Jones’s WALK THROUGH THIS WORLD WITH ME | Steacy Easton on Olivia Newton-John’s LET ME BE THERE | Annie Zaleski on Tammy Wynette’s D-I-V-O-R-C-E | Carl Wilson on Tom T. Hall’s THAT’S HOW I GOT TO MEMPHIS | Josh Glenn on Commander Cody and His Lost Planet Airmen’s BACK TO TENNESSEE | Elizabeth Nelson on Skeeter Davis’s I DIDN’T CRY TODAY | Carlo Rotella on Buck Owens’ TOGETHER AGAIN | Lynn Peril on Roger Miller’s THE MOON IS HIGH | Erik Davis on Kris Kristofferson’s SUNDAY MORNIN’ COMIN’ DOWN | Francesca Royster on Linda Martell’s BAD CASE OF THE BLUES | Amanda Martinez on Bobbie Gentry’s FANCY | Erin Osmon on John Prine’s PARADISE | Douglas Wolk on The Byrds’ DRUG STORE TRUCK DRIVIN’ MAN | David Warner on Willie Nelson’s WHISKEY RIVER | Will Groff on Tanya Tucker’s DELTA DAWN | Natalie Weiner on Dolly Parton’s IN THE GOOD OLD DAYS (WHEN TIMES WERE BAD) | Charlie Mitchell on Stonewall Jackson’s I WASHED MY HANDS IN MUDDY WATER | Nadine Hubbs on Dolly Parton’s COAT OF MANY COLORS | Jada Watson on Loretta Lynn’s DON’T COME HOME A DRINKIN’ (WITH LOVIN’ ON YOUR MIND) | Adam McGovern on Johnny Cash’s THE MAN IN BLACK | Stephen Thomas Erlewine on Dick Curless’s A TOMBSTONE EVERY MILE | Alan Scherstuhl on Waylon Jennings’s GOOD HEARTED WOMAN | Alex Brook Lynn on Bobby Bare’s THE WINNER. PLUS: Peter Doyle on Jerry Reed’s GUITAR MAN | Brian Berger on Charley Pride’s IS ANYBODY GOING TO SAN ANTONE.

MORE ENTHUSIASM at HILOBROW

MÖSH YOUR ENTHUSIASM (1Q2024): ENTER SANDMAN | BORN TOO LATE | MILQUETOAST | GAS BURNER PANIC | CHRISTBAIT RISING | & 20 other Eighties (1984–1993) Metal songs. STOOGE YOUR ENTHUSIASM (4Q2023): MOVE ON FAST | 96 TEARS | SHE CRACKED | WHAT A WAY TO DIE | PSYCHOTIC REACTION | & 20 other Sixties (1964–1973) proto-punk songs. CURVE YOUR ENTHUSIASM (3Q2023): PIZZA PURISM | BOY BANDS | THE ’86 METS | LOVE ISLAND UK | ELTON JOHN | & 20 other reconsidered enthusiasms. TEEN YOUR ENTHUSIASM (2Q2023): ANDY GIBB | VALERIE BERTINELLI | KIM WILDE | ARLO GUTHRIE | MIKE PATTON | & 20 other heartthrobs from our adolescences. DOLLY YOUR ENTHUSIASM (1Q2023): WE FOUND IT | TOGETHER AGAIN | SUNDAY MORNIN’ COMIN’ DOWN | BAD CASE OF THE BLUES | FANCY | & 20 other Sixties (1964–1973) Country records. KILL YOUR ENTHUSIASM (4Q2022): LT. TASHA YAR | JOYCE SUMMERS | COL. HENRY BLAKE | MRS. LANDINGHAM | ALEX KAMAL | & 20 other TV deaths. BLURB YOUR ENTHUSIASM (3Q2022): LEFT-CORNER BRICK | JOY IS RESISTANCE | THE FUTURE IS PASSÉ | EVERY MINUTE AN OCEAN | SHUT UP, HE EXPLAINED | & 20 other apothegms to live by. KOJAK YOUR ENTHUSIASM (2Q2022): ARK II | WKRP IN CINCINNATI | BUCK ROGERS | THE WHITE SHADOW | POLICE WOMAN | & 20 other Seventies (1974–1983) TV shows. KICK YOUR ENTHUSIASM (1Q2022): KUILL | CATO | COSMO | TRIXIE | VOLSTAGG | & 20 other sidekicks. NERD YOUR ENTHUSIASM (4Q2021): TIME | THE POST OFFICE | ARDUIN | DOUBT | SUMMATIONS | & 20 other nerdy passions. SWERVE YOUR ENTHUSIASM (3Q2021): WARHOL’S WALT WHITMAN | 70, GIRLS, 70 | TYRAEL’S MIGHT | SHIRATO SANPEI | THE LEON SUITES | & 20 other never-realized cultural productions. FIVE-O YOUR ENTHUSIASM (2Q2021): DARK SHADOWS | MANNIX | GET SMART | THE ADDAMS FAMILY | I DREAM OF JEANNIE | & 20 other Sixties (1964–1973) TV shows. FERB YOUR ENTHUSIASM (1Q2021): STEVEN UNIVERSE | TOP CAT | REN & STIMPY | SHE-RA AND THE PRINCESSES OF POWER | DRAGON BALL Z | & 20 other animated series. CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “Typical Girls” | “Human Fly” | & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.

Categories

Country, Enthusiasms, Music