By: David Smay

He dragged horror out of black and white into color.

By: Patrick Cates

Ball might punch out Patrick Cates!

By: Brian Berger

“No world in the head… world between the legs”

By: Lynn Peril

Rock‘n’roll, horror movies, and Orange Sun­shine acid

By: Franklin Bruno

Vs. the psych­olo­gizing and soft-soap liberal­ism of “white ele­phant art”

By: Ingrid Schorr

A life marked by exalt­ed company and repeat­ed damage

By: Peggy Nelson

Her work destabilizes, but the Beatles broke up on their own

By: Brian Berger

A singer of startling dramatic (sometimes melodramatic) empathy…

By: Mark Kingwell

Influences: Scottish gothic, science fiction, and radical left-wing politics.

By: Tom Nealon

His head-on col­lision with con­sumer society’s mutat­ed yearning…

By: Mimi Lipson

The foppish poses, the aspect of wounded nobility…

By: Tor Aarestad

“Watch out, you’re only this far from being screwed yourself.”

By: Lynn Peril

Find out why “the name of Marie Vassilieff will remain in the history of Montparnasse.”

By: Alexis Madrigal

The Hungarian nuclear chain reaction pioneer who took H.G. Wells very, very seriously.

By: David Smay

Brecht’s strategies vs. his oeuvre, which matters more, in the long run?