Orson Welles called her “the most exciting woman alive.”

“I sought devices to enable me mechanically to abide my waking hours…. By sheer visualization under my eyelids I constructed chess-boards and played both...

Though he ended up on the world's biggest stages, he was a mensch.

He was dis­illusioned by the materialism of modern Japan.

His genius was ungovernable, feral, utopian.

"My love of dynamic comp­lications..."

A scene from A BUCKET OF BLOOD (1959)

The ship must break free, or be crushed like a walnut.