By: Mimi Lipson

High Corman: pell-mell, hep, bizarrely hybridized.

By: David Smay

His role as Harold made him an icon: flattened, but illuminated and sacred.

By: Brian Berger

“All Lean’s movies are Life Epics, about individuals… and their dawning conscience.”

By: Joshua Glenn

A scene from THE LADY VANISHES (1938)

By: Joshua Glenn

A scene from THE LITTLE PRINCESS (1939)

By: Jason Grote

A brutality so extreme as to border on black comedy.

By: Adrienne Crew

Her steely eroticism lent a sense of refinement to depraved encounters.

By: Joshua Glenn

A scene from CLAMBAKE (1967)

By: David Smay

Beauty — rapturous sexy sexy, glorious abandon at war with ethics.

By: Lynn Peril

“There has never been anything like this before in human society.”

By: Franklin Bruno

He preferred thieves and roués to bosses, bureaucrats, and burghers.

By: Joshua Glenn

A scene from GOODFELLAS (1990)

By: Joshua Glenn

A scene from DISTRICT 9 (2009)

By: Joshua Glenn

A scene from TENDER MERCIES (1983)

By: Joshua Glenn

Mark Wahlberg’s penis, Sinatra as intellectual, cheerleaders.