A LIFE
By:
September 18, 2026
A series dedicated to poems, published c. 1900–1935, the Radium Age sf-adjacent themes of which include: dystopia and utopia, far-out mathematics and the fourth dimension, Afro-futurism, catastrophe, future war, new technologies, scientific breakthrough, dehumanization, cosmic awe, disenchantment and unseen forces, unknowable aliens and singularity. Research and selection by Joshua Glenn; thematic index here.
That the stars are adamant
everyone understands —
but I won’t give up seeking joy on each blue wave
or peace below every gray stone.
If happiness never comes, what is a life?
A lily withers in the sand
and if its nature has failed? The tide
washes the beach at night.
What is the fly looking for on the spider’s web?
What does a dayfly make of its hours?
(Two wings creased over a hollow body.)
Black will never turn to white —
yet the perfume of our struggle lingers
as each morning fresh flowers
spring up from hell.
The day will come
when the earth is emptied, the skies collapse
and all goes still —
when nothing remains but the dayfly
folded in a leaf.
But no one knows it.
— Södergran’s “A Life” (“En levnad”) was first published in her debut collection, Dikter (Poems), in 1916. Translated from the Swedish by Averill Curdy for the 100th anniversary edition of Poetry magazine (in 2012).
RADIUM AGE PROTO-SF POETRY: Stephen Spender’s THE PYLONS | George Sterling’s THE TESTIMONY OF THE SUNS | Archibald MacLeish’s EINSTEIN | Thomas Thornely’s THE ATOM | C.S. Lewis’s DYMER | Stephen Vincent Benét’s METROPOLITAN NIGHTMARE | Robert Frost’s FIRE AND ICE | Aldous Huxley’s FIFTH PHILOSOPHER’S SONG | Sara Teasdale’s “THERE WILL COME SOFT RAINS” | Edith Södergran’s ON FOOT I HAD TO… | Robert Graves’s WELSH INCIDENT | Nancy Cunard’s ZEPPELINS | D.H. Lawrence’s WELLSIAN FUTURES | & many more.