HOPE
By:
February 25, 2026
A series dedicated to poems, published c. 1900–1935, the Radium Age sf-adjacent themes of which include: dystopia and utopia, far-out mathematics and the fourth dimension, Afro-futurism, catastrophe, future war, new technologies, scientific breakthrough, dehumanization, cosmic awe, disenchantment and unseen forces, unknowable aliens and singularity. Research and selection by Joshua Glenn; thematic index here.
Frail children of sorrow, dethroned by a hue,
The shadows are flecked by the rose sifting through,
The world has its motion, all things pass away,
No night is omnipotent, there must be day.
The oak tarries long in the depth of the seed,
But swift is the season of nettle and weed,
Abide yet awhile in the mellowing shade,
And rise with the hour for which you were made.
The cycle of seasons, the tidals of man
Revolve in the orb of an infinite plan,
We move to the rhythm of ages long done,
And each has his hour — to dwell in the sun!
— Found in the author’s 1922 collection Bronze. First published in October 1917, appearing in the NAACP’s publication The Crisis. Also featured in William Stanley Braithwaite’s Anthology of Magazine Verse in 1917.
RADIUM AGE PROTO-SF POETRY: Stephen Spender’s THE PYLONS | George Sterling’s THE TESTIMONY OF THE SUNS | Archibald MacLeish’s EINSTEIN | Thomas Thornely’s THE ATOM | C.S. Lewis’s DYMER | Stephen Vincent Benét’s METROPOLITAN NIGHTMARE | Robert Frost’s FIRE AND ICE | Aldous Huxley’s FIFTH PHILOSOPHER’S SONG | Sara Teasdale’s “THERE WILL COME SOFT RAINS” | Edith Södergran’s ON FOOT I HAD TO… | Robert Graves’s WELSH INCIDENT | Nancy Cunard’s ZEPPELINS | D.H. Lawrence’s WELLSIAN FUTURES | & many more.