FAME
By:
May 30, 2026
A series dedicated to poems, published c. 1900–1935, the Radium Age sf-adjacent themes of which include: dystopia and utopia, far-out mathematics and the fourth dimension, Afro-futurism, catastrophe, future war, new technologies, scientific breakthrough, dehumanization, cosmic awe, disenchantment and unseen forces, unknowable aliens and singularity. Research and selection by Joshua Glenn; thematic index here.

One thousand years I slept beneath the
sod,
My sleep in 1901 beginning,
Then, by the action of some scurvy god
Who happened then to recollect my
sinning,
I was revived and given another inning.
On breaking from my grave I saw a
crowd —
A formless multitude of men and women,
Gathered about a ruin. Clamors loud
I heard, and curses deep enough to swim
in;
And, pointing at me, one said: “Let’s put
him in.”
Then each turned on me with an evil look,
As in my ragged shroud I stood and
shook.
“Nay, good Posterity,” I cried, “forbear!
If that’s a jail I fain would be remaining
Outside, for truly I should little care
To catch my death of cold. I’m just
regaining
The life lost long ago by my disdaining
To take precautions against draughts
like those
That, haply, penetrate that cracked and
splitting
Old structure.” Then an aged wight arose
From a chair of state in which he had been
sitting,
And with preliminary coughing, spitting
And wheezing, said: “‘T is not a jail, we’re
sure,
Whate’er it may have been when it was
newer.
“‘T was found two centuries ago, o’ergrown
With brush and ivy, all undoored,
ungated;
And in restoring it we found a stone
Set here and there in the dilapidated
And crumbling frieze, inscribed, in
antiquated
Big characters, with certain uncouth
names,
Which we conclude were borne of old by
awful
Rapscallions guilty of all sinful games —
Vagrants engaged in purposes unlawful,
And orators less sensible than jawful.
So each ten years we add to the long row
A name, the most unworthy that we
know.”
“But why,” I asked, “put me in?” He replied:
“You look it” — and the judgment pained
me greatly;
Right gladly would I then and there have
died,
But that I’d risen from the grave so
lately.
But on examining that solemn, stately
Old ruin I remarked: “My friend, you
err —
The truth of this is just what I expected.
This building in its time made quite a
stir.
I lived (was famous, too) when ‘t was
erected.
The names here first inscribed were
much respected.
This is the Hall of Fame, or I’m a stork,
And this goat pasture once was called
New York.”
— From the 1903 collection Shapes of Clay. The collection is dedicated to George Sterling.
PS: Bierce’s narrator is surely talking about the Hall of Fame for Great Americans, an outdoor sculpture gallery located in the Bronx. Built in 1901, it was the first hall of fame in the United States.
RADIUM AGE PROTO-SF POETRY: Stephen Spender’s THE PYLONS | George Sterling’s THE TESTIMONY OF THE SUNS | Archibald MacLeish’s EINSTEIN | Thomas Thornely’s THE ATOM | C.S. Lewis’s DYMER | Stephen Vincent Benét’s METROPOLITAN NIGHTMARE | Robert Frost’s FIRE AND ICE | Aldous Huxley’s FIFTH PHILOSOPHER’S SONG | Sara Teasdale’s “THERE WILL COME SOFT RAINS” | Edith Södergran’s ON FOOT I HAD TO… | Robert Graves’s WELSH INCIDENT | Nancy Cunard’s ZEPPELINS | D.H. Lawrence’s WELLSIAN FUTURES | & many more.