By: HILOBROW

“Why is this head and face the opposite of the masculine? Because the feminine faculties are predominant. There is a great vital truth right here.” *** According to Louis Allen Vaught, the purpose of Vaught’s […]

By: Peggy Nelson

Attention gets a lot of attention these days. Mostly as currency, as in, how to make paying attention pay off. Switch one value proposition for another, dissolve everything in the universal $olvent. I’m going to […]

By: HILOBROW

HiLobrow.com is not opposed to the “guest blogger.” But it’s a waxy concept, sticky and vexing, isn’t it? Guests have been deployed by too many blogs for everything from vacation coverage to boredom-bandaging. Uncanny guests […]

By: Joe Alterio

Monster: “Vivacious, Bipolar, Rat-Terrier” — by David Huyck *** Robots and Monsters, a website that swaps custom-designed cartoons and pop art in exchange for a donation to charity, was field-tested in May 2007 by our […]

By: HILOBROW

“It will pay all to remember the shape of this head and face.” *** According to Louis Allen Vaught, the purpose of Vaught’s Practical Character Reader (1902) is to acquaint readers “with the elements of […]

By: Matthew Battles

At Slate last week, Troy Patterson argued that books don’t need to be promoted with the kind of flashy, light-beer cinema that is the phenomenon of the “book trailer.” At Snarkmarket, however, Matt Thompson offers […]

By: Joshua Glenn

ORANGE: Egmont, our interests have for years weighed upon my heart; I ever stand as over a chess-board, and regard no move of my adversary as insignificant; and as men of science carefully investigate the […]

By: HILOBROW

House of Mystery #201 (April, 1972). Cover illustration by Michael Kaluta. *** Ninth in an occasional series.

By: Joe Alterio

Robot: “Summer, Xi’an, Warrior” — by Joe Alterio *** Robots and Monsters, a website that swaps custom-designed cartoons and pop art in exchange for a donation to charity, was field-tested in May 2007 by our […]

By: HILOBROW

“The above illustration speaks volumes for itself. Destructiveness is the center of all the characteristics named here.” *** According to Louis Allen Vaught, the purpose of Vaught’s Practical Character Reader (1902) is to acquaint readers […]

By: HILOBROW

*** Eighth in an occasional series.

By: Joe Alterio

Robot: “Green, Tree, Ocean” — by D. Emory Allen *** Robots and Monsters, a website that swaps custom-designed cartoons and pop art in exchange for a donation to charity, was field-tested in May 2007 by […]

By: Matthew Battles

As a child, John Carrera was fascinated by the trove of yellowing pages of Webster’s Pictorial Dictionary he found beneath his grandfather’s chair. As a fine-press printer, he has painstakingly brought the book back to […]

By: HILOBROW

Gregory Green’s Book Bomb #8 (1994). From the artist’s gallery’s website: Since the mid-1980’s Gregory Green has created performances and artworks exploring the evolution of empowerment, which consider the use of violence, alternatives to violence […]

By: Joe Alterio

Robot: Chicken, Orchid, Champagne — by Matt Rebholz *** Robots and Monsters, a website that swaps custom-designed cartoons and pop art in exchange for a donation to charity, was field-tested in May 2007 by our […]