By: Seth

For such a special-effects extravaganza it’s surprisingly a rather small film.

By: Susannah Breslin

Like Alex, we can’t help but love the horrorshow.

By: Joshua Glenn

William Gibson’s PATTERN RECOGNITION

By: Gerald Peary

It’s underwater, the Creature’s domain, where the id runs free.

By: Joshua Glenn

Katherine Dunn’s GEEK LOVE

By: Adam Harrison Levy

There is a powerful irony watching the film in August 2020.

By: Joshua Glenn

Margaret Atwood’s ORYX AND CRAKE

By: Lisa Jane Persky

As quickly as we glean the gist it is more and less forgotten.

By: Joshua Glenn

Charles Stross’s SINGULARITY SKY

By: Sara Ryan

“The only industry left on our planet was the manufacturing of spaceships!”

By: Joshua Glenn

Maureen F. McHugh’s MISSION CHILD

By: Carolyn Kellogg

They just talk to each other, with the vast desert landscape as backdrop.

By: Joshua Glenn

Ken MacLeod’s ENGINE CITY

By: Karinne Keithley Syers

The precision of every visible movement, nothing naturalistic, not even the breathing.

By: Joshua Glenn

Elizabeth Moon’s SPEED OF DARK