By: Kio Stark

“She’ll be like one of those robots in Disneyland.”

By: Joshua Glenn

Ken MacLeod’s THE SKY ROAD

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Bruce Sterling’s ISLANDS IN THE NET

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Alan Moore’s THE LEAGUE OF EXTRAORDINARY GENTLEMEN

By: Peggy Nelson

Is it copies all the way down?

By: Joshua Glenn

William Gibson’s ALL TOMORROW’S PARTIES

By: Lynn Peril

Could 50-foot Nancy be read as a metaphor for women’s anger?

By: Joshua Glenn

Warren Ellis’s PLANETARY

By: Joshua Glenn

Susan Price’s THE STERKARM HANDSHAKE

By: Mimi Lipson

Shirtless lotharios lounge about on leopard-skin throws eating Clark bars…

By: Joshua Glenn

Ken MacLeod’s THE CASSINI DIVISION

By: Joshua Glenn

An eroticized, non-repressive, egalitarian America. By any means necessary.

By: Joshua Glenn

Iain M. Banks’s INVERSIONS

By: Michael Lewy

Pre-CGI effects allowed us to focus, which gave our brains time to create memories.

By: Joshua Glenn

Octavia E. Butler’s PARABLE OF THE TALENTS