WHEN THE SUN WENT OUT (1)
By:
July 1, 2023
Leslie Silberberg, who wrote as Leslie F. Stone, was one of the first women sf pulp writers. She often worked with Hugo Gernsback in Amazing Stories and Wonder Stories. Gernsback published her 1929 story “When the Sun Went Out” as a chapbook. HiLoBooks is pleased to serialize it here for HILOBROW’s readers.
ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5 | 6 | 7.
The dying Earth lay wrapped in its dismal coat of what was soon to be the complete darkness of a sunless world. Just as she no longer had the Moon, her Lamp of Ages, to light the night skies as she whirled on her course through the limitless ocean of Space, so now she was about to lose the Sun which, after billions of years, was at last burning out. Cold somber darkness of everlasting night was to engulf the eight planets to which old Sol had once given heat and light.
History tells of the Sun in all its glory, of a bright, warm Earth, of joy on the globe: it tells, too, of the moon, a shell set aglow by the sun’s rays and reflecting on Earth the beauty of silvery light. But with the light from the sun growing more and more feeble through the preceding thousands of years, the Night’s fixture had faded too until now it was no more than a dark body flitting past by day. Only at times during the night did a stray gleam of the sun illuminate, for a fleeting moment, the dead face, as a shadow passing across the white icescapes. Now there were only the stars, distant and aloof, smiling disdainfully upon the senile planet Earth, to light her night and her day too.
In Central City most of the few hundred thousands of people who now comprised the entire world’s population had already gathered. The rest were hastening to join the multitude, so that together they might watch the sun in the throes of death. Then would they make their descent to the bowels of the Earth wherein the once proud Earthlings planned to make their last stand against their arch-enemy, Nature.
Kuila Rei was one of the tardy ones. As his name denoted, he was of the race of astronomers. He was the last to leave Mount 83 upon whose summit he and his fellow scientists had for many years kept the Sun under surveillance, publishing their minute calculations as to the hourly condition of the waning star.
Kuila, like many, objected strenuously to his removal to thousands of feet below the Earth’s crust. He knew that several centuries before the Earth had been warned of the critical state of the Sun. Then had been the time for action. However, for the last million of years the Earth’s people had been retrograding, and now except for a few hundred men and women of Kuila’s ilk were mental and physical weaklings. They had been content to live on what their mighty ancestors had provided for them, using only what knowledge had come to them through the ages, and making no attempt to improve their condition.
Now through their lack of energy and foresight what machines they possessed were gradually wearing away. One by one those gigantic monsters, that had for thousands of years been producing all of man’s needs, were breaking down because of the failure of their parts. From time to time men with some mechanical genius had repaired here and there. But, as the years went on, the knowledge of these men was lost until now the world was faced at last with the fact that they had practically no hope of succor from their present condition.
RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit” | Max Brand’s The Untamed | Julian Huxley’s “The Tissue-Culture King” | Clare Winger Harris’s “A Runaway World” | Francis Stevens’s “Thomas Dunbar” | George Gurdjieff’s “Beelzebub’s Tales” | Robert W. Chambers’s “The Harbor-Master”.