A RUNAWAY WORLD (2)
November 14, 2022
HiLoBooks is pleased to serialize “A Runaway World,” by Clare Winger Harris. This story, her first, appeared in the July 1926 issue of Weird Tales; it entered the public domain in 2022.
The radio station of La Rue was the most interesting place Shipley had ever visited. Here were perfected instruments of television. An observer from this tower could both see and hear any place on the globe. As yet, seeing beyond our Earth had not been scientifically perfected.
La Rue had been eager to hear from his assistant any further messages from Mars. These could have been forwarded to him when he was in the States, but he preferred to wait until his return to his beloved station.
There was nothing startlingly new in any of the communications. All showed despair regarding the Martians’ ability to survive, with their rare atmosphere, the cold of outer space. As the planet retreated and was lost to view even by the most powerful telescopes, the messages grew fainter, and finally ceased altogether.
By this time alarm had spread beyond scientific circles. Every serious-minded being upon the globe sought for a plausible explanation of the phenomenon.
“Now is the time for your revelation,” urged La Rue. “Tell the world what you told me.”
But the world at large did not approve of Henry Shipley’s theory. People did not arrive at any unanimous decision. The opinion was prevalent that Mars had become so wicked and had come so near to fathoming the Creator’s secrets, that it was banished into outer darkness as a punishment.
“Its fate should,” they said, “prove a warning to Earth.”
The scientists smiled at this interpretation. As a body of enlightened and religious men they knew that God does not object to His Truth being known, that only by a knowledge of the Truth can we become fully conscious of His will concerning us.
The frivolous, pleasure-seeking, self-centered world soon forgot the fate of the ruddy planet, and then — but that is my story!
RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable |
Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit” | Max Brand’s The Untamed | Julian Huxley’s “The Tissue-Culture King” | Clare Winger Harris’s “A Runaway World” | Francis Stevens’s “Thomas Dunbar” | George Gurdjieff’s “Beelzebub’s Tales” | Robert W. Chambers’s “The Harbor-Master” | Mary E. Wilkins Freeman’s “The Hall Bedroom” | Clare Winger Harris’s “The Fifth Dimension” | Francis Stevens’s “Behind the Curtain” | more to come.