By: Joshua Glenn

E. Phillips Oppenheim’s THE WICKED MARQUIS

By: Joshua Glenn

Max Brand’s RIDERS OF THE SILENCES

By: Joshua Glenn

Johnston McCulley’s THE MARK OF ZORRO

By: Joshua Glenn

Sax Rohmer’s THE QUEST OF THE SACRED SLIPPER

By: Joshua Glenn

James Oliver Curwood’s THE RIVER’S END

By: Joshua Glenn

From UBIK and THE LEFT HAND OF DARKNESS to YELLOW BACK RADIO BROKE-DOWN

By: Joshua Glenn

Richard Stark’s THE SOUR LEMON SCORE

By: Joshua Glenn

John Bellairs’ THE FACE IN THE FROST

By: Joshua Glenn

Jane Gaskell’s A SWEET, SWEET SUMMER

By: Joshua Glenn

Vladimir Nabokov’s ADA, OR ARDOR

By: Joshua Glenn

Anne McCaffrey’s THE SHIP WHO SANG

By: Joshua Glenn

Philip K. Dick’s UBIK

By: Joshua Glenn

Elmore Leonard’s THE BIG BOUNCE

By: Joshua Glenn

Ursula K. Le Guin’s THE LEFT HAND OF DARKNESS

By: Joshua Glenn

Kurt Vonnegut’s SLAUGHTERHOUSE-FIVE